°®¶¹´«Ã½

University of South °®¶¹´«Ã½

School of Art & Art History

°®¶¹´«Ã½ College of Design, Art & Performance

MA Theses and Qualifying Papers

The University of South °®¶¹´«Ã½'s Tampa Library hosts the collection of published research online. by graduates of the School of Art & Art History.

2025

Laura Barros, "Re-imagining the Sacred: The devotional key to Remedios Varo's Icono"

Caity Campbell, " Finding Frankenthaler: Artistic process and distance in Mountains and Sea"

Maria Rodicio, "Idolatry and Moral Anxiety in the Dutch Republic"

Marisol Rodriguez Berdasco, "A Modern Brazil for Every Gaze: The Junction of International Diplomacy and Cultural Representation in Candido Portinari’s 1939 New York World’s Fair Murals"

2024

Desiree Anderson, "The Archetypal Image: The Greek Vase in Art, Scholarship, and Museum Display"

Lauren Whitaker, "Connecting the Threads of Scholarship: On Two Embroidered Hangings from Kloster Heiningen, 1516-17"

Callan Donahoe, “The Invisibility of Blackness: David Hammons’ Concerto in Black and Blueâ€

Delaney Foy, “The Curation and Proliferation of a Sultanic Image: A Deccan Dagger with Zoomorphic Ornamentâ€

Hanna Weber, “An Intertextual Analysis of a Mughal-Indian Painting from the Library of Emperor Akbarâ€

Meredith Vigan-Wilburg, “Private Devotion, Public Display: Situating the Enclosed Gardens of Mechelen within the Context of Women’s Miniaturist Traditionsâ€

2023

Stephanie Haas, “Fragmented Hours: The Biography of a Devotional Book Printed by Thielman Kerver†

Hannah Patrick, "Deliberative Agency and Curating the Image: Appalachian Photography"

Vera Reutova, “Negotiating Boundaries: Ivan Aivazovsky between the Russian and Ottoman Empires†

Susan Rimensnyder, “Fashioned for Here and There: The Divan Club Reveals Varieties of Cultural Cross-Dressing Portraiture†

Arianna Weber, “Ornamenting Time: The BMFA Ūd and Calligraphic Abstraction in Islamic Ornament†

2022

Madeline Axlund, "Partnership between Museums and Donors: Preserving or Defiling Cultural Heritage?"

John Fraunfelter, “Decolonizing the Kunstkammer: A Study of Material Narrativesâ€

Vanessa Gillette, “The Limits of Consumption: Sawasa Ware In and Out of the Dutch East Indiesâ€

Iris Gonzalez, “Anti-Authorial Calligraphy: Proverbs Out of Context in Hassan Massoudy’s Workâ€

Mia Reich, “Framing Kandinsky’s Painting with Red Spot (1914): Abstraction, Artistic Intent and Meaning Making in The Museum Spaceâ€

2021

Abigail Jensen, “The Ringling Psalter: Dating, Localizing, and Reconstructing a Mystery Manuscriptâ€

Angela Finkbeiner, “A Critical Reevaluation of Mughal Portraiture: Empress Nur Jahan and Female Empowermentâ€

Azra Korajcevic, “Consumption of War through Art: The Meaning of Afghan War Rugs for their Producers and Consumersâ€

Claire Anderson, “The Geographical and Devotional Origins of the Life of the Virgin Triptych at the Cleveland Museum of Artâ€

Gina Lane, “The ‘Dancing Duo’ Composition in Mughal Painting and a Reevaluation of the History of the Kathak Dance Formâ€

Grace Baker, “Marginal Message, Monumental Meaning: The Hours of the Virgin in the Hours of Catherine of Clevesâ€

Tessa Artis, “Unutterable and Raging Desire: The Bride of Christ and the Canticum Canticorumâ€

2020

Gabriella Albritton, “Reconstructing the ‘Knyvett’ Manuscript: A Book of Hours Reminiscent of an English Pastâ€

Emily Campbell, “A Blossoming Visual Language: The Hybridity of Indian Botanical Illustrations in the Works of William Roxburghâ€

Will Russell, “Protectors of the Empire: The Talismanic Charms of the Seven Sleepers of Ephesus and the Ottoman Navy"

2019

Karla Aguayo, "Santa Monica and Her Augustinian Devotees: A Fifteenth-Century Manuscript of the Rule and Constitutions of Saint Augustine"

Richard Ellis, "Seeing King Solomon through the Verses of Hafez: A Critical Study of Two Safavid Manuscript Fragments"

Victoria Mann, "The Artist Births the Viewer: The Visual Experience of Kandinsky's 1913 Abstraction"

Zdislava Ungrova, "A Quiet Valley at Roztoky: Testimony of Singularity in the Landscape Imagery of Zdenka Braunerová"

Sara-Kay West, "Olafur Eliasson's Institution: Power, Reflection, and Gaze in his 2016 Versailles Project"

2018

Jeanie Ambrosio: Thesis “Mirror Images: Penelope Umbrico’s Mirrors (from Home Décor Catalogs and Websites)"

Ashley Muraszewski, "Constructing the Identity of the Busts at the Umayyad Palace of Khirbat al-Mafjar."

Mariana Gómez Fosado, "The Patent of Nobility in Favor of Gutierre Fernández de Agüero: An Illuminated Manuscript Produced in the Reign of Philip III"

Erin Hughes, "The Creative Compilation of Langston Hughes: The Sweet Flypaper of Life"

2017

James Cartwright, "Crossing Boundaries. The Negotiation of Religious Space in Armenian New Julfa under the Safavid Empire (1603-1717)" 

Alexandria Salmieri, "Revealing Criminal Justice in South Africa: The Photographic Works of David Goldblatt and Mikhael Subotzky†

Ashley Williams, "The Mosque Lamp of the Mamluk Ruler Karim al-Din within the Cross-Cultural Contexts of Abrahamic Traditions" 

2016

Marlena Antonucci, “Cultural Soilscapes: Land Art in the Expanded Field† 

Mary Gilpin, "Findings in the Friezes: Anila Quayyum Agha’s Intersections as an Experiential Hajj†

Andrea Johnson, “Incongruous Conceptions: Owen Jones’s Plans, Elevations, Sections and Details of The Alhambra and British views of Spainâ€

Erin Wilson, “An Alternative Ancien Regime? Elisabeth Vigee-Lebrun in Russiaâ€

2015

Tracey Cole, "Empowering the Subject: A Re-interpretation of Marie Benoist’s Portrait of a Negress"

Laura Colkitt, "From Local to Global: Kama Wangdi Paints Bhutan's Changing Geopolitics"

Shanna Goodwin, "The Habits of the Grand Signor’s Court: Cross-Cultural Conversations and Aesthetic Exchanges in an Early Seventeenth Century Ottoman Costume Album"

Dave Loisel, "Searching for the Beloved: Rediscovering Homoerotic Representations in Ottoman Art"

Christopher Long, "'Here, I am a gentleman' — Albrecht Dürer’s Construction of Identities in the Self-portrait of 1498"

2014

Amanda Preuss, "Sarah Sze’s Triple Point: Modeling a Phenomenological Experience of Contemporary Lifeâ€

Alison Terndrup, "A Fez of the State: Late Ottoman Headgear in Official Portraiture"

2013

Erin Carter, “Holy Break, Holy Child: The Pseudo-Sacramental Performances of Margaretha Ebnerâ€

Maureen Elizabeth Cox, “The Choir Books of Santa Maria in Aracoeli and Patronage Strategies of Pope Alexander VIâ€

Heather Linton, “Illumination and Victimization: Mental Illness in Paris and Abidjanâ€

Christy Paris, “Homage or Critique? How Grace Hartigan, Pat Steir, and Sherrie Levine use the Old Mastersâ€

Kelly Simmons, “Maximilian I’s Pomegranates: A Solomonic Connectionâ€

Elizabeth White, “Bold and Dangerous: Evaluating Marie-Antoinette’s Self-Fashioningâ€

2012

Jeffrey L. Boe, “Painting Puertorriqueñidad: The Jíbaro as a Symbol of Creole Nationalism in Puerto Rican Art before and after 1898â€

Jean Carey, “Franz Marc as an Ethologistâ€

Jennifer Danielle McCall, “Renegotiating Identities, Cultures and Histories: Oppositional Looking in Shelly Niro’s This Land is Mime Land â€

Eileen Parotino, “Caravaggio's Mislabeled John the Baptist â€

Megan Voeller, “Narrating Ryan Trecartinâ€

2011

Lauren Branzei “Costumed Generalizations: Depictions of Women in Delacroix’s 1832 Moroccan Notebooksâ€

Terri N. Johnson “Cesare Vecellio’s Fantesche: Images of Servants and Working-Class Women in Early Modern Veniceâ€

Maureen McGuire, “Bessarion's gift to Venice: a plea on behalf of Byzantiumâ€

Valerie Palazzolo, “An Iconography of the Macabre’: Andreas Vesalius’ Animated Skeletons and the Memento Mori â€

Teresa Whitney, “Baron Talyor’s Voyages pittoresques et romantiques dans l'ancienne France and the Problematics of the Picturesqueâ€

2010

Sabrina Hughes, “Empty Streets in the Capital of Modernity: Formation of Lieux de Mémoire in Parisian Street Photography from Daguerre to Atget†Winner of the 2010 Outstanding Thesis Award, °®¶¹´«Ã½ Graduate School

2009

Melissa Diaz, “The Role of Materiality in Michelangelo Pistoletto’s Minus Objects (1965-1966)â€

Susan King Klinkenberg, “An Intervention in Painting by Marlene Dumas with Titles of Engagement: Ryman's Brides , Reinhardt’s Daughter and Stern â€

Elizabeth Tanski, “Who Are the Danaides? Contextualizing the Use of the Individual in Rodin's Oeuvreâ€

Catherine Elizabeth Turner, “Self-fashioning, Consumption, and Japonisme: The Power of Collecting in Tissot's Jeunes Femmes Regardant des Objets Japonais , 1869â€

2008

Shannon Annis, “A Further Removed Dissonance: Transformations of a Musical Model in Kandinsky’s Move Towards Abstractionâ€

Xiaoli Ma, “Double Resistance: Cai Guo-Qiang’s Cultural Melting Bath, Projects of the 20th Century (1997)"

Ryan Morgan, “Masculinity, subjectivity, and sexuality in Gustave Caillebotte's Young Man at His Window (1875)â€

2007

Carrie Baker, “Re-Thinking the Myth of Perugino and the Umbrian School: A Closer Look at the Master of the Greenville’s Jonas Nativity Panelâ€

Katherine Kearney Bzura, “I'm Not Who I Was Then, Now: Performing Identity in Girl Cams and Blogs"

Michelle Rowland, “The European Utopian Socialists and the Capitalist Utopias of Walt Disney Worldâ€

Andrea Satterfield, “The Assimilation of the Indigenous American: A Broader Reading of Christoph Weiditz’s Trachtenbuch (1529) as an Ethnographic Document†Winner of the 2007 Outstanding Thesis Award, °®¶¹´«Ã½ Graduate School

2006

Devon Larsen, “Rethinking the Monumental: The Museum as Feminist Space in the Sexual Politics Exhibition, 1996â€

Elizabeth Oliver, “Vision and Disease in the Napoleonic Description de l’Egypte (1809-1828): The Constraints of French Intellectual Imperialism and the Roots of Egyptian Self-Definition†Winner of the 2006 Outstanding Thesis Award, °®¶¹´«Ã½ Graduate School

2005

Izabel Galliera, “Negotiating Artistic Identity through Satire: subREAL, 1989-1999â€

Lesley Treace Stone, “From Chapel to Chamber: Liturgy and Devotion in Lucantonio Giunta's Missale romanum , 1508â€

H. Kellim Brown, “The Articulate Remedies of Dolores Lolita Rodriguezâ€

2004

Catherine Cottle, “The Myth of Narcissus and Abstract Expressionism, 1949-1959, and their Impact on Contemporary American Cultureâ€

Laura Herrmann, “A Vocabulary of African Costume for Artists: The Woodcuts of Book X of Habiti antichi et moderni di tutto il mondo â€

2003

Marta Penabad, “Daughters in the Mi(d)st: Family Portraiture in 16th-Century Venetoâ€

2001

Anne Jeffrey, “(Dis)Embodying the Viewer in the Art of Mona Hatoumâ€

Peter Tush, “Salvador Dalì’s Identity Construction: Psychoanalysis, Ambiguity, Parody, and the Double†Winner of the 2001 Outstanding Thesis Award, °®¶¹´«Ã½ Graduate School

2000

Robert Lovejoy, “The Working Class and Other ‘Races’: A Study in Culture and Conflict in Nineteenth-Century English Comic Stripsâ€

Michelle McQuillan, “A Reinterpretation of Sandro Botticelli's Villa Lemmi Frescoesâ€

1999

Chika Okeke, “Critical Interventions: Obiora Udechukwu and Modern Uli Artâ€

1998

Patty Buster-Rhodes, “The Age of Totalitarianism: Women Printmakers of the Depression Era Respondâ€

Kathleen Swann Short, “The Collection: Giulio Clovio and the Stuart de Rothesay Hoursâ€

1996

Karen Fraser, “A ‘Delicate’ Difference: The Critical Reception of Japanese Abstract Expressionismâ€

Editha Millington, “Manipulating Power, Adapting to Change: Kwifon Masquerade in the Cameroon Grasslandsâ€

Kristen Parker, “Writing is not an Act of Love. Love is an Act of Writing: Guillaume de Machaut’s Le Livre Du Voir – Dit in Paris, Bibliothéque Nationale, Fonds Français 1584, Les Oeuvres Complètes de Guillaume de Machaut â€

Traci Timmons, “Habiti Antichi et Moderni di Tutto Il Mondo as an Indicator of the Late Sixteenth Century Venetian Social Orderâ€

Maria Perricone, “Narrative in the Illuminations of the British Museum’s Histoire Ancienne Jusqu’à Ceasar Royal 200.1â€

1995

Catherine Abrams, “The Marriage Portraits of Colonel and Mrs. Walter Stewart: The Visualization of Separate Spheresâ€

Kelly Bousman, “A Poetry of Place: An Intertextual Study of Three Installations By Ann Hamiltonâ€

Noel Smith, “Beyond Nostalgia: Photographs from the Burgert Brothers Collection 1920-1960â€

Eileen Reilly, “The University of °®¶¹´«Ã½ Pigouchet and Vostre Horae: A Book Printed in Paris for Exports to Londonâ€

Helen Wheldon, “ A Critical Evaluation of the Term ‘Villa’ in Eighteenth Century England: a Case study of Chiswickâ€

1994

Sherri Hill, “Amazons, Matriarchs, and Space Babes: Images of Women in Science Fiction Films of the Fiftiesâ€

Hope Buchholtz, “The Political and Social Implications of Elizabeth Thompson’s Battle Paintings and Images of Irelandâ€

1993

Adrienne Golub, “Towards A Newer Critique: T.S. Eliot's Conservative Cultural Content and Bertolt Brecht's Aesthetics on Clement Greenberg's Early Rhetoric and Themesâ€

Jane Backstrom, “Linda Nochlin: Feminist Interventions in the History of Artâ€

1992

Eman Haram, “Family Photographs: The Aesthetics of Timeâ€

1991

Xenofon Xeradakis, “The Riddle of Derived Motifsâ€

1988

Ann H. Albritton, “Sonia Delaunay’s Poster-Poems 1913-1916â€